THE DEFINITIVE GUIDE TO LIL TECCA NEW JAZZ TYPE BEAT

While in the 1930s, Kansas Metropolis Jazz as exemplified by tenor saxophonist Lester Young marked the transition from massive bands into the bebop impact of the 1940s. An early nineteen forties style referred to as "jumping the blues" or bounce blues applied small combos, uptempo music and blues chord progressions, drawing on boogie-woogie within